These are characters you care about because their situation is taken seriously, developed with an eye on logic and sense rather than cheap laughs and conventional happy endings. But while ill-conceived crudity occasionally surfaces again, there is a tenderness at the film's centre, an unusual sincerity for a studio romance.
The first 20 minutes promise a harsher, thicker picture than 50 First Dates becomes, with Sandler's androgynous co-worker (Lusia Strus) and roguish best friend (Rob Schneider) tools for broad, boring comedy (a vomiting walrus base sexual innuendo).
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She seems at ease, back doing what she does best after the selfconsciously serious slog of Riding In Cars With Boys and the embarrassing grrrl power pseudo-sexiness of Charlie's Angels: Full Throttle. Initially so drenched in syrupy cutesywutesyness you may want her to tread on a landmine, she settles into a role which requires her to appears befuddled without being foolish, irresistible without knowing it. He cruises through 50 First Dates with affability and ease - he's relaxed, he's charming, he's likeable.īarrymore, too, gives one of her best performances.
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The leads proved a popular pairing in The Wedding Singer, and again Barrymore calms Sandler's professional rage: his comic schtick, so grounded in inarticulate anger, is softened. It's implausible, obviously, but this is entertainment not education and the spark between the stars and a surprisingly thoughtful screenplay ensures that, despite the odd gross-out misstep, this is a sweet, warm and funny romantic comedy. Only she has short-term memory loss and can't remember him at all the next day - so he has to woo her again and again, each new day providing a new, 'first' date. I never knew what a feel-good film was until I saw this.highly recommended.50 First Dates stars Adam Sandler as a womanising vet who falls for Drew Barrymore's teacher one fine Hawaiian morning. Although romcoms almost always have happy endings, this one damn near had me in tears. For example, I spent the entire films assuming that the ending would be somewhat different. The film isn't really predictable, either. He even sacrifices his dream so that he can be with Lucy, and help her to move on with her life. The film starts off with him coming across as somewhat of a pig (well, to us women anyway :)), and by the end of the film, we truly admire him. Henry's character undergoes somewhat of a transformation in front of our eyes. From the way that her family sacrifices everything to keep her happy, and blissfully unaware of her condition, to Henry who, despite the fact that he could have just about any woman that he wanted, decides that he wants to be with Lucy, regardless of the fact that he has to meet her for the first time every day. It shows love in a way that I have never seen in another film before.
But underneath the humour is where I believe this film's true beauty lies. It isn't overly stupid, but it's not subtle either. Firstly, I have to say that 50 First Dates is a really funny film. It turns out that she suffers from short-term memory loss, and every day he tries to win her over once more.
One day they hit it off, and the next she doesn't even recognise him. The basic storyline of 50 First Dates: Henry Roth lives in Hawaii and spend his time wooing women who are visiting the island, simply because there is little chance of commitment.